(1825-) Born in Pennsylvania, Anderson traveled west early in his life, and then south; he was first noted as a daguerreian in New Orleans, La. in 1848.
In 1851, apparently temporarily abandoning his New Orleans operation, he opened a business in Galveston, Texas as Anderson and Blessing (Samuel T.). This partnership continued until 1861, when Anderson apparently left for Europe. During the partnership the firm was alternately known as "Anderson's Ambrotype Gallery"; various business addresses were listed, but the firm settled on Tremont Street in 1856. There is also an indication the firm operated a branch gallery in Houston, c. 1854. This is probably the same S. Anderson reported in that city with a "Daguerrean Car" in December, 1853. One reference indicates Anderson spent two winters in Houston in the mid-1850's.
There exists some further confusion over a listed daguerreian partnership of Anderson and Bickel (W.C.) in Galveston in 1854, 1855. Believed to be Samuel Anderson, the gallery was located at Center and Post Office.
Research would seem to indicate that Anderson was listed alone in Galveston in 1851 and 1853; in partnership with Bickel in 1854 and 1855 (and alone in Houston in 1854), and in partnership as Anderson and Blessing from 1857 to 1860. Although the Anderson/Blessing partnership reportedly existed from 1851, there is no listing for Blessing in Galveston until 1857. From 1856 to 1861, Anderson and Blessing also operated a gallery and stock depot in New Orleans; in 1856 they were listed as the successors to W.W. Washburn at 120 Canal Street. They listed New Orleans as their principal base, with a "branch" in Galveston. In 1857 the firm was listed at 131 Canal Street, and in 1859 they moved the gallery to 61 Camp Street. Another source reported that Anderson sold the Galveston end of the business to John P. Blessing (Samuel's brother) in 1857 and then opened the New Orleans studio. Still another report, which might not be contrary, indicated that upon his return from Europe in 1864, Anderson bought out Samuel Blessing's interest in the New Orleans gallery and stock depot.
There is no record of Anderson in Texas from 1857 until the mid-1880's, when he returned to open a gallery in Houston. He remained there until after the turn of the century.